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The Nathan Coley: Appearances catalogue features essays by Brian Dillon, Juliana Engberg and an interview with the artist conducted by Charlotte Day.
For this major exhibition, ACCA’s large exhibition hall was transformed into a civic plaza, defined by a series of cast concrete platforms in situ, inspired by designs of Oscar Niemeyer for Brazil’s iconic modernist capital city, Brasilia, and an illuminated sculptural tree based on a remix of his illuminated signs with local fairground architecture. A scale model of Melbourne’s Scots’ Church was also featured along with other new works in the parallel galleries.
Full colour production, 56 pages